December 5, 2020

Songs at the Confluence: Indigenous Poets on Place

By Indigenous Nations Poets

This program was presented on December 5th, 2020, In partnership with the Adrian Brinkerhoff Poetry Foundation and In-Na-Po (Indigenous Nations’ Poets.)

Curated by poets Kimberly Blaeser and Jake Skeets of In-Na-Po, the event draws inspiration from W. W. Norton’s recent collection When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry. The program focuses on place and its importance to Indigenous poets and their writing.

The program includes short films by emerging and celebrated Indigenous poets, in which they read their own work and recite other poems from the anthology. A discussion between LeAnne Howe (Choctaw Nation of Oklahoma) and Jennifer Foerster (Mvskoke (Creek) Nation of Oklahoma), two of the anthology’s editors, is also featured, as well as video of Tippet Rise’s inspiring landscape and musical programs.

Readers include Kimberly Blaeser (Anishinaabe–White Earth Nation), Jake Skeets (Diné), Brandy Nalani McDougall (Kanaka Maoli), and Sy Hoahwah (Yapaituka Comanche and Southern Arapaho). Poems by the late poets Adrian Louis (Loveloc Paiute), b: william bearheart (Anishinaabe–St. Croix), and Louis Little Coon Oliver (Mvskoke) are also performed.

These poetry films were created for “Songs at the Confluence: Indigenous Poets on Place,” a digital poetry project created in partnership by In-Na-Po, Tippet Rise Art Center, and The Adrian Brinkerhoff Poetry Foundation. Presented December 4, 2020, the event is available in its entirety at the link provided. All of the poems come from the groundbreaking volume When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry.

Wellspring: Words from Water

By Kimberly Blaeser

The Book of the Missing, Murdered, and Indigenous - Chapter 1

By M.L. Smoker

Louis Little Coon Oliver's Poem "The Sharp Breasted Snake"

As Read By Jennifer Foerster

Drunktown

By Jake Skeets

Indian Eden. Open tooth. Bone bruise. This town split in two.
Clocks ring out as train horns, each hour hand drags into a screech—
iron, steel, iron. The minute hand runs its fingers
through the outcrops.
Drunktown. Drunk is the punch. Town a gasp.
In between the letters are boots crushing tumbleweeds,
a tractor tire backing over a man’s skull.

__

Men around here only touch when they fuck in a backseat
go for the foul with thirty seconds left
hug their son after high school graduation
open a keg
stab my uncle forty-seven times behind a liquor store

__

A bar called Eddie’s sits at the end of the world. By the tracks,
drunk men get some sleep. My father’s uncle tries to get some
under a long-bed truck. The truck backs up to go home.

I arrange my father’s boarding school soap bones on white space
and call it a poem. With my father, I come up on death
staggering into the house with beer on the breath.
__

Mule deer splintered in barbed tendon. Gray highway
veins narrow—push, pull under teal and red hills.
A man is drunk-staggering into northbound lanes,
dollar bills for his index and ring fingers. Sands glitter
with broken bottles—greens, deep blues, clears, and golds.
This place is White Cone, Greasewood, Sanders,
White Water, Bread Springs, Crystal, Chinle, Nazlini,
Indian Wells, and all muddy roads lead from Gallup.
The sky places an arm on the near hills.
On the shoulder, dark gray—almost blue—bleeds

into greens

blue greens

turquoise into hazy blue

pure blue

no gray or gold

or oil black seeped through.

__

If I stare long enough, I see my uncle in a mirror. The bottle caps we use for eyes.

__

An owl has a skeleton of three letters
o twists into l
the burrowing owl burrows
under dead cactus
feathers fall on horseweed
and skull bone blown open

Skinology By Adrian C. Louis

As Read By Jake Skeets

Indians & the internet.
Somewhere, sometime.
Whenever a Messiah
Chief is born, jealous
relatives will drag him
down like the old days
only instantly now.

***

In a brutal land
within a brutal land
with corrupt leaders
& children killing themselves
we know who is to blame.
But we are on a train,
a runaway train & we
don’t know what to do.

***

The good earth,
the sun blazing down,
us in our chones, butts
stuck in inner tubes,
floating down a mossy
green river, speechless,
stunned silent with joy
& sobriety & youth,
oh youth.

***

She smiled at me
& got off her horse.
She smelled of leather
& sweat & her kiss has
lasted me fifty years.

***

Bad Indians do
not go to hell.
They are marched
to the molten core
of the sun & then
beamed back to
their families,
purified, whole
& Holy as hell.

***

Yellow roses, wild roses,
their decades of growth,
a fierce fence between
the drunkenness
of my neighbors
& me.

***

I have known
some badass Skins.
Clichéd bad-to-the-bone
Indians who were maybe
not bad but just broke,
& broken for sure.

***

Late winter, late night,
a gentle rapping, a tapping
on my chamber door . . .
some guy selling a block
of commodity cheese
for five bucks.

***

You climbed a tree,
sat there for hours
until some kind voice
called you back home.
You unfolded your wings,
took to the air & smashed
into earth. They hauled
you to ER, then Detox
where they laughed
at your broken wings.

***

Once, I thought
I saw eagles soar,
loop & do the crow hop
in the blue air while
the sun beat the earth
like a drum, but I was
disheveled & drinking
those years.

***

In-Na-Po

Founded in 2020, In-Na-Po—Indigenous Nations Poets—is a national Indigenous poetry community committed to mentoring emerging writers, nurturing the growth of Indigenous poetic practices, and raising the visibility of all Native Writers past, present, and future. In-Na-Po recognizes the role of poetry in sustaining tribal sovereign nations and Native languages.